French Impressionism is subdivided by David Bordwell into three different moments, following certain stylistic traits.
Pictorial Impressionism
Pictorial Impressionism is the first group of films with the features mentioned above, most of which are made from 1918 to 1922. Debuted by Abel Gance’s The Tenth Symphony (1918), this “subdivision” is marked by image manipulation through a camera lens, the use of optical mechanisms, masks, and other features that altered the mise-en-scène. An example is when, in El Dorado, the protagonist Sibilla is shown, among the other perfectly visible dancers, unfocused. When summoned by her mates, the highlighting mask disappears. After her dance number, it is revealed why she is out of focus: Sibilla was worried about her sick son. In addition to El Dorado, the principal works of this period are Louis Delluc’s Murder in Marseille (1921) and Germaine Dulac’s The Smiling Madame Beudet (1922). Make a visit to https://free-123movies.com/ for the best choices in movies.
Assembly
From 1923 to 1925, the elements of subjectivation went from mise-en-scène to montage. …