The True Essence of Watching The International Films

The large scale and scope are very characteristic of these films. Often the beginning of the film is a panoramic view of New York or Los Angeles, the landscape of deserts or city streets. The directors use this technique as a symbol of their country, to once again show its strength and power. In primewire you can come up with the best choices.

Features of Japanese cinema

The Japanese are focused on the reflection of the smallest details, everything is important for them: from the person’s internal state to what he eats for breakfast. A minimum of visual effects and loud special effects is the motto of Japanese directors. They are working on a completely different side of the films – the inside, showing the audience the events from the back. Japanese films (especially horror) are kept in suspense until the very end, preventing the viewer from relaxing.


Indian film

Bollywood is a kind of Indian Hollywood. Indian films have a unique national flavor, they reflect all the features of the national culture. As a rule, in Indian films, there is a dramatic plot that ends with a happy ending. Indian songs and dances are an integral part of national films.

The relevance of the research topic

Cinema is the most important art form of the 20th century, which had a special influence on the processes of modern cultural genesis. One of the most striking and interesting in the world is traditionally considered Italian cinematography. The rich cinema history of this country is of genuine interest not only to researchers but also to moviegoers around the world. Of particular interest, sympathy and continued success have accompanied the cinema of Italy in Russia, starting from the period of the Great Silent.

Each decade of the new art was an entire era, with ups and downs, idols and opponents, searches, discoveries and disappointments. This also applies to Italian cinema, which arose in the early years of the 20th century, when, it seemed, the dominance of American and French filmmakers in the world was already undeniable, and competition with them was impossible.

Throughout the past century, Italian cinema has received a variety of and sometimes diametrically opposed, ratings. In the first two decades of the XX century. All over the world, Italy was called “Kinoeldorado”, “Hollywood on the Tiber”, “Glittering meteorite”, etc. In the era of the Great Silent and in the period of neorealism, the successes of Italian filmmakers, the scope and fearlessness of film producers struck the imagination and inspired fear among competitors, including the largest film companies in the USA and France.

In other years after the First World War, from the mid-1950s to this day, the pages of famous newspapers and magazines around the world are often full of the most pessimistic headlines: “Cinema of Italy the walking corpse”, “The degradation of the Apennines cinema”, “The bitter fate of Italian cinema”, “The death of Italian cinema a concrete and very close reality” etc. It is far from easy to give an objective assessment of the processes taking place in Italian cinema.

It cannot be done in only film science: a broader cultural approach is required here, which takes into account the influence on the development of cinema of the most diverse factors of historical and cultural reality.